Archive for the 'Digital Media' Category

Black Friday - A Marketer's Dream?

Another Black Friday and Cyber Monday have passed, and yet again, they’ve illuminated realities and debunked previously held truths for marketers everywhere. IBM’s report on the digital behaviors demonstrated during the firesale weekend essentially boiled down to this one finding: None - that’s right, not one - of the ### ecommerce purchases completed on Black Friday, which, by the way, represents a 21% increase from last year, can be directly attributed to Twitter.

Now... that doesn’t mean that none of the purchases completed can be in some hockey-stick indirect fashion attributed to brands’ and agencies’ promotions using the social media giant. It does mean, however, that the perceived effectiveness of social media as a tool for driving ecommerce may be overblown.

A study recently put out by Forrester Report, in which 77,000 transactions were examined during two weeks in April ‘12, found that less than 1% of purchases made could be directly attributed to any social media channel.

Why, then, do marketers on the brand side and agency side alike place such importance on social media promotion? The answer lies somewhere in a perfect storm of hype, misunderstood (relatively) young technology, and disproportionate perceived value.

The question that begs asking, then, is ‘how do we fix the problem?’

For us, the answer always lies in behavior. The past can always be used, if interpreted correctly, to inform, if not predict, the future. In the past, the biggest drivers for ecommerce have been search engines. They’re responsible for 39% of new traffic and sales, and Forrester nailed it when they labeled these guys ‘spearfishers.’ Search engine shoppers are looking for specifics. They know what they want and now all they need to find is the best deal. No wonder then, that Twitter has little or no effect. A search engine provides an aggregated view of all the price points for the exact product a consumer desires.

Next in line is email - the number one tool for repeat customers. If a consumer has previously purchased something from a company, and signed up to receive offers (or, more likely, not unchecked the checked box that unwillingly and un-knowingly signs them up to receive updates on deals and offers), those mailers will influence one third of their next purchase decision. And unless you are drowning in email on a regular basis (like us), that message can sit passively in your inbox until you are ready to act (either by clicking or deleting), rather than flying past you at the speed of, dare we say, a Twitter feed?

As marketers, we look at social media as a great tool to get the message out to an audience that has asked for it.  But we need to learn to encourage ‘social shopping’ to really take advantage of the avenues to the consumer social media have allowed us. Encouraging and even incentivizing consumers to share their purchase at checkout might be a more useful way to spread the word about a promotion then simply Tweeting about it from a brand account. After all, consumers trust each other more than they’ll ever trust us.

Secondly, we need to learn to use the tools we have at hand. Micro-targeting, using finely honed consumer segmentation, is an essential. Tweets should be fired with a scope, not a shotgun.

Lastly, allowing consumers to shop visually, by utilizing galleries, Pinterest and/or Instagram to stimulate the eyes and encourage that spontaneous purchase, is an avenue that is still novel, and therefore still interesting, to the consumer. Everyone’s offering percentages off or free shipping. Doing something different, like using visual cues, is likely to garner more conversions.

More than anything, we need to take a step back and realize that we have the tools to succeed. Behaviors exist. Trends are waiting to be realized. The avenues to reach the consumer are in place. We simply need to figure out exactly what works, how to be most effective. At the end of the day, our job as marketers is to make a person think they’re being social when really they’re being consumers.

Maybe by next Black Friday, we’ll have figured out exactly how.

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Brands Should Embrace Their Timeline

Leap Day marked the arrival of the new Facebook format – Timeline - for brands. Yes, Timeline has been available to individual consumers for a few months, but at the end of March, all Pages will be required to make the switch. For brands, the change is much more important.

For the first time ever, Facebook will be addressing the problem that haunts the dreams of so many social media marketers: The Death of the Important Facebook Post. How, you ask? Timeline cleverly allows brands to extend the “shelf-life” of their Facebook announcements by utilizing the super easy scroll-through setup. Now, users can seamlessly browse a brand’s entire Facebook “life.” Timeline does this ALL while alerting the user of important “milestones.” This layout creates a storytelling feel, much like a user reading the book from beginning to end, rather than just being presented with current information. What’s more, brands are able to integrate, chronologically, histories and stories that predate the existence of Facebook.

Timeline is more about design and visual experience than Facebook Pages have ever been in the past. Some are calling it a “digital canvas” that allows for more creativity. Wisely taking a cue from Pinterest and Twitter’s new enhanced profiles, Timeline allows brands to “pin” posts so that they appear in the top-left area of the page for seven days, guiding the users’ eyes to the headlines and information that marketers deem top priority. All of these new features limit the obstructiveness of advertising by allowing the consumer to feel a more genuine connection with the brands that they follow.

The layout also makes it easier for Page administrators to view notifications, messages, analytics, and edit content. Brands are provided with a more comprehensive breakdown of activity and demographics than ever before (age, cities, high traffic times, etc.).

But even with all these innovative features, there are some mixed reviews about Timeline. Some experts caution that if brands do not understand how to manage all of the new content options, hide posts that reflect badly on the brand and guide users to see relevant content, they will not benefit from the new format whatsoever.

Timeline is available to Facebook Pages now and will be mandated on March 30th. While the inevitable use of Timeline may be a nuisance to individual Facebook users who may see it as a stalker’s dream tool, Timeline will prove to be a dream social media platform for brands if they enthusiastically pursue the new marketing options enabled by Timeline’s content management features.

[Via AdAge / AdWeek]

Example-of-Facebook-Timeline-Milestone

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Bands Do It Better?

Ever wonder how that young, most likely un-showered, group of scruffy dudes with questionable intellect became the trendiest of-the-moment band with thousands of fans?  Well, apparently the music industry is sometimes smarter than it looks. Almost every emerging artist understands that being a social media powerhouse is synonymous with the momentum of his or her success. The music industry has come up with some of the most creative ways of digital promotion, and the most impressive performance results. Artists have always longed for a way to engage in a two-way conversation with their fans. Brands should take a cue.

Allowing people to “tag” themselves in official Facebook concert photos, having fans pay a small fee to listen in on the recording process and vote for their song picks for the album, providing rewards for “checking-in” at a concert on Foursquare, and creating new social platforms are just the start of the consumer-“brand” relationship that make bands stars. Mainstream artists are tapping into the trend too, as digital and social media investments become an integral part of their overall marketing plans. Just last month, Lady Gaga manager, Troy Carter, invested $4M in the startup tech-company, Backplane. The company is responsible for launching a self-sustaining social platform for Little Monsters. While the platform is still in beta, the investment signals big plans for the future.  Unlike other artist’s creative social efforts, this is a private “Monsters-only” community where fans can interact through an entity entirely separate from existing platforms like Twitter and Facebook.

What makes this endeavor most admirable is its departure from social media protocol that big business so heavily relies on. By choosing to operate on a separate platform, Backplane has allowed Gaga to carve out her own space in the digital landscape, and to own every aspect of the fan relationship. Giving this platform an even louder buzz is their South by Southwest Event: The SXSW Managers Hack - a launch event for the startup hosted by some of music’s biggest management professionals. This event invites developers from all over the globe to participate in an 8-hour challenge to construct a presentation of their concepts and ideas for the future of the digital music distribution. There will be a live web cast and play-by-play commentary.

Backplane reflects Carter’s belief that focusing on inventive, highly interactive social media concepts is extremely worthwhile. In an interview with AdAge this month, longtime music industry player Jeff Kempler agrees, “Foursquare, Twitter and Instagram are really good examples of platforms that enable artist-to-fan and fan-to-fan communication to occur in a way that's really very real and very humanizing.”

So, an old-school industry guy and Lady Gaga’s manager are keying into the idea that social media’s biggest selling point is its ability to make the target market feel like important, separate beings. How soon until big business follows suit?

Photo-by-Google

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Pin It To Win It

Pinterest is everywhere. We’ve all seen this before: the rise of a newly trending social media platform that changes the way we communicate and share content. But the buzz is mostly a consumer-facing discussion. The question from a business standpoint remains, how does Pinterest hope to monetize their following? Or – how will they incorporate brands?

It seems clear that Pinterest (and similar platforms like, SVPPLY and The Fancy), are the future of social media. Where Twitter allowed us to share links, thoughts and photos, these platforms now allow the micro sharing of visual content. These platforms are aspirational in a way that instills competition among users. The mood boards you create are seen as a personal snapshot and a glimpse into your level of taste - so let the social-heavens forbid that you fall to the bottom of the pile.

What’s most interesting is that Pinterest seems extremely self-aware of its potential, perhaps more than any other social media platform before it. For starters, “pins” can be linked to e-commerce sites: an automatic draw for brand marketers. This seems like free value to brands, no? Don’t worry, Pinterest has already figured out a way to quietly monetize this. Any “pin” across the platform that links to an ecommerce site with its own affiliate program, is actually modified by Pinterest, with its own affiliate tracking code. This way, Pinterest can monitor when a purchase is made via a link on their platform, and make bank.

Since this link-modifying was discovered, the digital world has been expressing some hesitation over whether or not Pinterest is being entirely transparent (or entirely legal) in the way they are disclosing this information to its users. The conclusion is that Pinterest’s terms of service basically allow them to do whatever they want with your “pins”.

If they’ve already figured this model out while still in beta, then the platform may hold even more potential than we thought. It seems like this trend has a few more tricks up its sleeve before it takes a bow. What new opportunities will Pinterest open to brand marketers, and how long before that business peaks? …Or has it already.

Pinterest-Mood-board_Social-Media-Trend

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Codename: Buffy

Back in late June of this year, mobile phone company HTC released the Status - touted as the first “Facebook phone.” The idea was to add a convenient Facebook button on the front of an Android-based phone to easily share one’s mobile life quickly. We almost completely forgot about these phones, as they were essentially a competitive flop in a world of super-smart smartphones. Consumers didn’t exactly rush to pick these off the shelves. The rumor mill is turning out a new theoretical gem, and this time her name is Buffy.

Codename: Buffy (yes- just like the Vampire Slayer... or iPhone Slayer), is the newest project that’s said to be brewing in the Facebook laboratory, alongside HTC. The newest reports come with more than just a codename that creatively proclaims itself the iPhone killer. A phone on its own, self-sufficient platform, Buffy would allow Facebook to be a fully integrated part of the mobile experience. It is said that its apps would all be made with HTML5 (the same coding that has brought you barrel rolls on Google, and some of the most creative digital projects of late), which leads to a range of possibilities within the software. On Android and iOS phones, there are still limitations to how far Facebook may integrate itself. Sharing has certainly been made easy, but imagine being able to add someone’s Facebook name to your contacts just as easily as you could add a phone number on a night out.

However, Facebook’s alleged attempt to enter the mobile market still seems risky. Although the phone arguably has been years in the making, reports say the phone is still a long way from hitting the market - possibly as long as 18 months. With Blackberry, Android, and iPhone competing for market share, why would Facebook want to attempt to join the clutter? Maybe its feelings were hurt when apple chose Twitter as its social-network-of-choice for integration with the new 4S. Or just maybe Facebook really does have some groundbreaking mobile ideas. After all, they did create one product already that has revolutionized the way the world works. Can they do it again?

Facebook_mobile-phone_Buffy_HTC

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Billboard, Billboard On The Wall…

We’ve all seen facial and retina scanning technology in sci-fi films like, Minority Report, Mission Impossible, and The Bourne series. Usually some top secret agent is trying to get access to a heavily guarded door, a red scanner beams across his face and a green light indicates his access has been granted.

While Hollywood may have disillusioned us, it’s now nearly 2012 and this technology is becoming a reality in a very prominent way. We’ve all seen Facebook’s use of biometric data to auto-tag our photos, and XBOX Kinect’s controller-free, sync-to-your-body gaming experience, but what happens when these technologies start to enter the public realm?

In the Chicago area for instance, several bars have partnered with smartphone app, SceneTap, installing specialized cameras to analyze their patrons. Male-to-female ratio, age, and number of patrons are all sent to the application’s users who may be curious about this information before hopping to the next bar. Think this sounds pretty awesome? Well, marketers do too.

Immersive Labs, a Manhattan based advertising company, has developed billboards that are so smart, they can analyze passerbys and effectively target advertisements to the demographic. The technology is still young, but future projects look to billboards that are able to detect hair quality to display an ad for the appropriate shampoo. Further potential lies in detecting emotion to display various recommended pharmaceuticals.

This technology opens a whole new realm of analytics to marketers. No longer will data solely consist of arbitrary numbers that are up for interpretation, but rather, entire sets of in-depth analysis will be able to read specific reactions to an advertisement. Marketers may approach their trade with a new set of tools, adding a whole new element to global consumption of goods.

Still, one can’t help but wonder how these advanced technologies will affect our daily privacy. While technological advancement is certainly exciting, it’s hard not to question the repercussions of our advancement. On the other hand, these same questions have probably been raised for centuries as we continue to take technological steps forward. Here’s to the next decade.

Photo-by-Paolo-Tonon

canadian pharmacy Rogaine 5%

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Social Media Killed the TV Star

Have you ever longed for one of those recliners with a built-in refrigerator, or ogled at those "would-be-cool-to-have" items in a Sky Mall catalog? Somehow, $500 for a Cotton Candy Machine/Egg-McMuffin-Maker combo doesn’t seem like the most practical use of some expendable income. Well, we here at RJW know just the person to introduce you to.

Meet, @GirlBehindSix, our new guilty Twitter pleasure. Who is she? Who knows... but we can tell you this: every day (sometimes twice-a-day) she gives away six, or a multiple of, some thing or another.

Unless someone is doing some clever guerilla marketing, this campaign is its own standalone project, complete with NYC Subway advertisements. In short – an entire game show, operated entirely on the Twitter platform. While television is just beginning to fully integrate their entertainment content with social media, now social media is doing one better by creating the content itself. Is this trend that we will see continue? Has social media killed the TV star?

The prizes are usually completely zany, but this is the perfect way to score the PERFECT gag gift for your office grab bag this holiday season! Since anybody with a Twitter handle can enter, it's worth checking out at least for a laugh. We'd hate to be the cause of anyone's shopping addiction, so this referral is your safest bet. 'Tis always the season for free stuff!

UPDATE: We knew our social media instincts were on point!... After doing some snooping here at RJW, we discovered this remote site, which hosts the Official Rules, required of any sweepstakes or giveaway contest. Not to our complete surprise, there is indeed a corporate sponsor for this promotion!

Sponsor: Wendy's International Inc., One Dave Thomas Blvd., Dublin, OH 43017.

AHA! While the campaign is riddled with copy like this...

Good luck figuring out who I am. #SIX

...we, are problem solvers here at RJW. So we thank you for the challenge, Wendy's! The Official Rules come complete with very specific, detailed, and timed instructions on how to win #SIX's cryptic contests. It's one of the most complex sweepstakes we've ever seen, and we still aren't sure what Wendy's motive is, but @GirlBehindSix, we called your bluff - now, what do we win for that?!

Photo-by-Gene-Hunt

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What's in a Name?

With the number of digital projects we’ve been working on, our fingers are sore from endless hours of SEO meta-tagging. Everyone realizes the importance of SEO, yet despite the in-depth focus that marketers put into it, there are often some obvious oversights that go unnoticed. Take for instance, the music landscape, where the single most important asset an artist can have, now, more than ever – is a name.

From an SEO standpoint, one would think that choosing common, non-unique words would lead to tenth-page banishment on Google, which is often the case for new artists. However, if you can make your band page rank in search engines as a #1 result with a simple name like “GIRLS”, your accomplishments are all the more impressive.

What any digital marketing team behind an artist could hope for, however, is an SEO-friendly gem. A term like “Lady Gaga” was probably never entered into a search engine prior to the release of “Just Dance” – and by that point, it was a guarantee you were going to find the Gaga you were looking for.

To create a name that can navigate the metadata quagmire of the Internet requires some creativity. It’s about finding an alternative way around things. Instead of making your moniker, The Weekend, try chopping out the last “e”. By these standards, The Weeknd has become a unique, and skyrocketing Internet sensation. By doing so, The Weeknd frontman Abel Tesfaye, was not only able to carve out his own unique corner of cyberspace, but to dominate the common term as well. (Typing, “the weekend” into Google, now returns the artist’s website as the top result).

Part of the reason an artist could achieve a presence like that, has to do with the introduction of Google’s “Panda” algorithm change. Panda aims to lower the rank of “low-quality” sites, in place of high quality content. “Quality” standards were established by a series of artificially intelligent tests, applied to thousands of websites that measured design, trustworthiness, speed, and likeliness to make a return visit.

While the launch of Panda has been followed by debate amongst webmasters, it seems that the algorithm must be doing something right. The Weeknd is driving traffic, a band named GIRLS can turn a top-result ranking (as can a band name CANT), and The Gorillaz have never been mistaken for the gorillas. We therefore put the onus of quality of the artists themselves. The final test of this point will be whether the buzzworthy Lana Del Rey can successfully erase all Google evidence of a first-attempt career launch under her birth name, Lizzy Grant. Perhaps then, we will discover the true power of a name.

The-Weeknd_SEO_Searchable-Band-Names

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iPad Trumps iPhone

We’ve all recognized the success of Apple in their ability to put out consistently good, market-changing products. The iPhone has dominated the smartphone market, and the iPad has trumped all other tablets. Have we ever considered if one is better than the other?

On Monday, web analytics firm, comScore released the results of a study that concluded that more web traffic is being driven by iPads than by iPhones. In the study, the iPad accounted for 97.2% of all tablet web traffic, with 46.8% of all iOS traffic (compared to the iPhone’s 42.6% share.)

Also revealing, is the fact that a majority of tablet web users are young, wealthy males and in terms of activity, are shopping more than they are reading on the devices. All brands with e-commerce sites take note: nearly half of tablet owners have completed a purchase using the device. For digital marketers, this study provides some interesting insight into the way we should continue to build web properties.

Are tablets really the future?

With the light that this study has shed on the tablet vs. mobile debate, it would appear that in addition to mobile-friendly sites, developers will need to be creating tablet-optimized applications that take advantage of big-screen experience. In addition, as public wi-fi continues to become more widely available, it seems that these trends will only continue. As you plan your next site-overhaul, it would be smart to think about how important it is for you to optimize the site for traditional browsers, mobile phones, as well as, tablets.

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Connecting the Dots of your Digital Persona

Radian6, Meltwater Buzz, trackur, and endless more services are social media monitoring tools that try to help brands understand what consumers think about them. However, there is more to the story than just an incongruous string of ‘sentiment’ indicators.

Building on his first project, We Feel Fine, which was more or less a sentiment tracker for the blogosphere, artist Jonathan Harris is putting a new kind of pen into the hands of the public, crowdsourcing a story that is completely innovative, yet remarkably familiar.

With Cow Bird, Harris seeks to deconstruct the disjointed narratives created on our Facebook and Twitter pages, and create a platform for users to share a variety of media that is automatically cataloged and organized into a narrative of segmented life-chapters.

The technology behind Cow Bird analyzes each piece of content that is uploaded, and files it in the context of related items. Essentially, it’s a personal librarian for your digital persona. Harris hopes this will be a vehicle to bring back personal reflection in our online communication, treating these individual chapters like a journal entry or a letter.

Now, having reflected on our college years, the question remains whether we can hide it in the archives.

To read more, check out this interview on Frog Design.

Photo credit: Tulane University

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